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Limited edition of 100, £25 each (+P&P)
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Designed by Steve Price (Plan-B Studio) as part of the 10PlanB Project
Printed by Generation Press on 175gsm Colorplan (Bright Red). Thanks to GFSmith for donating the paper. Fund raising by Lucy Brown for Jack Armstrong.

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Adopt a Northerner™ has always really meant Adopt a Student!
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They may not be as cuddly as a Panda but they are great to have around!
I would like to introduce you to Anand, a third year student from Yorkshire,
studying at Leeds College of Art.
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Here we go, two beautifully designed posters from the inimitable Wallzo.
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Manchester poster set: A unique dual-layer piece, featuring Kevin Cummins'; iconic photograph of Morrissey on the Rochdale Canal, printed on 170gsm PhoeniXmotion paired with a typographic layer printed in blue and white ink on GF Smith Transclear semi-opaque stock. Quote by Chris Lethbridge. Each set is signed and numbered by Kevin Cummins.
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Making Dad and everyone at Generation Press very proud!
April edition of Wired Magazine


The giggle of embarrassment, do they really mean us, the swelling of pride.
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Generation Press were thrilled to find that they had been selected by the Wired Magazine as one of twenty companies seen as the World's most innovative businesses. Alongside the likes of McLaren F1 and Howies. Sounds great doesn't it!
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A few words from the editor:

"We weren't looking for firms making innovative products -- there are plenty of those in the pages of Wired every month. No, we wanted to discover innovative ways to work -- creative new approaches to motivating staff, or sourcing ideas for ad campaigns, or empowering teams to transform the service they offer customers. The 20 examples that made our final list, we hope, will inspire you to rethink your own approach to how you work. Because who can risk relying on the old rules".
David Rowan, (Editor) more here!
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What is particularly pleasing about this article is that it is about how we do business, rather than the work we have produced with the amazing designers we have been lucky enough to work with up until now. I believe this is about running an honest business, a very talented team, passion and relationships! Thats our innovation.
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Read more here: Wired Magazine article.

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Sanna Annukka - Matryoshka Dolls.
A1 (840mm x 594mm) Screen printed on Fabriano; one fluorescent plus three spot colours, magenta foil blocking.
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In an auction to help the Red Cross Haiti Appeal, Generation Press Raised £1100 by selling Issue No.1 from each of the four posters, plus generous help from some of the unsuccessful bidders:)
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Celebrating ten years of print from the fourth generation! We like to see these posters as a thank you to the people and companies that have supported us over the last ten ten years and incentives to those in the forthcoming years. It's been a journey! Only possible thanks to the amazing team we have built over those years. We are immensely proud of our team. We look forward to the next ten years with the same enthusiasm, optimism and realism.
Bring 'em on™

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Contributors:
Build
Sanna Annukka
John O'Reilly
Timothy Saccenti
Photography: Paul Demuth

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Barrie Forrest photographed (above) by Jason Tozer.
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Generation Press have commissioned their very own paper as part of their amazing rebrand.
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Colorplan Barry™ is just a part of the rebrand but really highlights what Generation Press is all about, collaboration with real people with real passion for their craft. Hence it felt so appropriate to name the paper after the colour technician Barrie at Croppers Papermill in the Lake District! Creative license was used when we found out that Barrie spells his name with an (Barr)ie rather than a (Barr)y (we hope he doesn't mind too much).
The rebrand itself started life with a new logo, then developed to work as a piece of coherent communication, from a full set of stationery to this website. The different collateral that we use has all been carefully designed to interact with the customer with a different use of coloured paper and message! The main thing that Generation Press didn't want to lose was the fact that we are independent and a family run business in its 4th generation, so that's the brand!
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Now a few words from the designers about the identity...
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We wrote this small piece to set the scene for what has for us been a very interesting journey. It was written as a sort of fancy diary entry cum bit of poetry...
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5:59 Rise & shine! From a dark & cold Walthamstow, Scrub & Michael head out of London & ‘up North’ to Burneside for a rendezvous with Barrie & Mark, colour technicians for Croppers paper mill. Sandwiches in the main office, then over to ‘The Lab’; handshakes shaken, pleasantries exchanged... ’Right, what do you want to do?...’ An afternoon amongst test tubes & bunsen burners in the old schoolhouse with Barrie (& Mark) commenced. The aim? To create a bespoke colour Colorplan exclusively for Generation Press. Yellow? No!...’Green?’. Yes! A little more yellow, a little more green... 42 years of experience put to good use.
That’s it... just right!
As a mark of respect to Barrie and his craft, we named the paper
after him (with a bit of poetic licence). GP Colorplan Barry,
born in Burneside , December 5th 2007.
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GP Colorplan Barry™ is as Scrub says just a part of the Generation Press (GP) rebrand, but an important one. It set the tone for what for us has been a very satisfying project. It seems a very long time since we went up to Burneside to meet Barrie and Mark at Croppers, just over 2 years to be precise. We wanted to really push the boat out with the GP identity, make it really special (and unique), and what could be more unique than their own coloured paper?
Once we had the Colorplan Barry™ stock sorted we then went on to design the identity. Barry™ being half of that identity, the idea being that the Barry green stock became synonymous with Generation Press.
We went through various routes, one was accepted by GP and nearly went to print but we pulled the plug and went back to the drawing board. We then settled on the idea of something that every printer tries to avoid, moiré patterns and line screen patterns. But greatly enlarged, turning them into graphic devices that we then applied to the stationery set and GPs online presence. Typography-wise we settled on a very paired back approach, leaving the over-scaled graphic patterns to really really stand out. Every item of stationery has a different pattern, or formation of pattern. Each piece is printed using a variety of processes, on a set amount of four different coloured GF Smith Colorplan stock.
We designed the GP logo alongside a typeface and a set of environmental icons (which were very important to GP) all based upon the GP mark. Nicola worked closely with Scrub on the tone of voice (an example of which can be read on the GP website), including a rather beautiful poem which we've included below, titled 'Ode To Print'—

Beauty; Tactile Print.

Paper, Ink, Plate; Plate, Ink, Paper.
Simple thinking, complex answers. Years of Learning.

Shimmer ripples sheens, gloss shards of sharp.
Sheets of flips, reams of flops. Handle with care.

To have and to hold it, fold it, stitch it; feel it, sense it, love it.

Breathe deep.

Print; Tactile Beauty.

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Introducing Barr(y)ie competition.
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For the opportunity to win one of 10 special die-cut (shown above) 'Introducing Barr(y)ie' posters, and a set of postcards all you have to do is answer the following question.
'What is Barrie's surname?'
Please send your answer in an email to blog@generationpress.co.uk
The competition closes on 14th February (2010), and will be drawn on the 15th February.