Category: Print by Generation Press

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Anthony Burrill In a New Place Kemistry Gallery
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Ye-ha! an event with Anthony Burrill, that has to be unmissable, especially as it is being held at our favourite gallery.
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We used cast coated stock to produce these invitations and envelopes, to give them a very high gloss finish one side, with an uncoated reverse. when you see the art you will understand why...
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Oh and we used the opportunity to show off our enviromental icons designed by Build
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Kemistry Gallery
Anthony Burrill
Design: Proud Creative

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D&AD Introduced us to NB: Studio to do the tickets for the awards evening and after such a successful collaboration, we were really looking forward to what we would be asked to produce for the actual awards evening.
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This is the D&AD Awards Ceremony Programme. Cover stock was the black rubbery Plike from GF Smith with a lovely Mowhawk text sheet, also from the GF Smith range. Having foil blocked the previous project we had too many images to foil again so we screen printed the cover and printed the text lithographically.
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The cover really worked well, a little tricky but with some care and attention came out beautifully. The cover folded back on its self wrapping around the programme to give a clean spine, when opened it revealed the gorgeous white stitches - this really helped sharpen the lead of this pencil!
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NB: Studio were great throughout the project and really trusted us, especially with the fact there was no time to proof any of the processes. NB: Studio were under pressure, time was tight but no compromises were taken and the programmes arrived in time, and looking great!
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D&AD
Design: NB: Studio
Paper: GF Smith

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D&AD Awards dinner tickets, designed by NB:Studio
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This is our most recent work for D&AD and our first real opportunity to work with NB:Studio,
D&AD had put us together for this project, it was a real pleasure to work with the guys at NB they really valued our input into how best to produce this ticket and envelope. We hadn't worked together before so building trust quickly was key to getting this project to look so good!
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One side of the ticket was was foil-blocked in white and yellow foil on black Colorplan, the reverse was printed lithographically on white Colorplan, we then duplexed the two together and die cut with radius corners to give a lovely sturdy 700 gsm Ticket.
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The envelope was was made from Black Colorplan with a large foil blocked image in white foil that came out really crisp and clear, we then die cut the envelope and made it up, with a die cut sticker to secure it closed.
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Congratulations to NB:Studio for such amazing visuals and livery for the ceremony, it was mind blowingly good!
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D&AD
Design: NB: Studio
Paper: GF Smith

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Wow look at this for a line up, proud to have graced our presses with this beauty, this was a labour of love, great imagery, great products and a great design.
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We were afforded the time with this project to do things in the right order! working with the designer Michael (from Build) from the very beginning.
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This allowed us to plan each element including getting the sections with the scores on the inserts working out so when all the sheets came together in the slip case, both scored edges were equal.
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Another attention to detail was getting the wrap around slip case just right so the depth of the capacities were wide enough to hold the inserts but not to wide to let them fall out.
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One of my favourite aspects on this is the use of the litho printed white on the recycled grey board along side the foil blocking & debossing, a great example of using alternative materials and turning them into something special!
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Commonwealth
Featuring photography by Timothy Saccenti
Photo-retouching DopePope
Designed by Build

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Tom Hingston Studio Stationery, a real treat to get this project, a journey of discovery! Lots of things going on with this? We really had to push the processes to get what THS wanted.
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Answers on a postcard to figure this lot out?
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Tom Hingston Studio

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This was a lovely project to work on, Mellany Robinson got in touch with us having researched environmental printing coupled with a determination that quality needn't be compromised!
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The attention to detail on this job included a special wire stitch called a Lego Stitch its a safety stitch that puts the wire back into the paper so saving little fingers from sharp points.
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Colour reproduction on this book was fantastic we used our new uncoated paper screening, plus using our uncoated press calibrations! we really got the most out of the illustrations really sharp with great punchy colours, all colours staying true to the original images.
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Illustration: Mellany Roninson
Words: Annabel Bennetts
Book Design: Design Holborn
Purchase book: Millie's Mayday